Showing posts with label bob lefsetz. Show all posts
Showing posts with label bob lefsetz. Show all posts

Saturday, March 19, 2011

More from Lefsetz + Memphis hits the big screen

I've posted a few things from the Lefsetz Letter on this blog in the past, most recently the Jon Bon Jovi vs Steve Jobs hoo-hah. Actually, when Lefsetz writes about Bon Jovi it's pretty much always about one of two things:
  1. They're old school and need to get with the social media program; or
  2. They're greedy and rip fans off.
I've expressed similar sentiments about my boys (on both counts) in the past, though I did think the abuse that raged all over the blogosphere after Jon's Apple Attack was a bit over the top. I haven't even seen the original article that started everything, and given it's sitting behind a pay wall, I suspect I'm not the only one who hasn't. But anyway, Lefsetz is writing about Bon Jovi again, and it's centred on a familiar theme:
You’re either part of the problem or part of the solution.

And it appears Bon Jovi is the former.

As he laments the passing of vinyl records and cover art, he’s overcharging and overtouring to the point where tickets have to be sold at a discount. This is good for business how?

And the reason I’m picking on Bon Jovi is he’s number one, the biggest touring act. And we depend on our leaders to lead, not to undermine the business.
Full post at this link.

In brighter news, David Bryan and Joe DiPietro's Tony-award winning hit Memphis will be screened exclusively at selected cinemas in the US:
The musical will show on 530 screens nationwide during an exclusive run on April 28 & 30 and May 3 at 7:30PM, and a special matinee on May 1 at 12:30PM.

As previously announced, the original Broadway cast of Memphis was captured live in performance from January 18 to January 21 at the Shubert Theatre, using multiple high definition cameras and 96 tracks of sound recording for this special Fathom event presentation.
For more info, visit Fathom Events. And check out the teaser trailer (yes, Dave is in it :P ).

Thursday, March 17, 2011

In defence of JBJ (Bon Jovi vs Apple continued)

When Jon Bon Jovi reportedly apportioned blame for the music industry's death to Apple CEO Steve Jobs, Bob Lefsetz was just one high profile member in a mass of cool, net-savvy iFans to ridicule him. Not that "cool" people have ever needed a reason to bag Bon Jovi, but I'm sure they appreciated the ammunition nonetheless.

However, Moses Avalon, author of Confessions of a Record Producer has taken a different stance:
Now, what did Bon Jovi say that was so terrible? Well, he spoke the truth for one thing. iTunes has helped devalue the business model that made music an industry. It may not have started the fire, but it poured gasoline on it in gallons.

Let’s look at some iFacts:

1) iTunes has not, as some have suggested “saved the record business.” iTunes has made up less than 10% of sales over the years since launch.

2) Nor did Steve Jobs “invent” a way for artists to get paid from the internet, (I think Al Gore did that.)

3) Finally, I believe it was Lawrence Lessig or some fool like him who promised—“If you give people a legal way to buy music they won’t steel it.” Remember that one? Not true: P2P file sharing did not decrease since iTunes went on-line — it actually increased.

What iTunes did that sucks most for music is it destabilized the “album model.” Yeah, yeah, I know, many of you think that that is good for the consumer, but it’s really not in the long run. Not if you’re a true music fan.
Read the full blog post here. He is a bit condescending at times (not unlike our friend Lefsetz), and he trashed Larry Lessig, whom I happen to have a lot of respect for... but amidst the flood of "Jon Nob Jovi [sic] is inherently evil" posts, it's kind of nice to have a peak at the other side of the coin too. ;)

Tuesday, March 15, 2011

Bon Jovi vs Apple

"Steve Jobs is personally responsible for killing the music business."

That's the quote that's been attributed to Jon Bon Jovi overnight in the UK's Sunday Times as he lamented the fact that kids will grow up never enjoying the "experience of putting the headphones on, turning it up to 10, holding the jacket, closing their eyes and getting lost in an album; and the beauty of taking your allowance money and making a decision based on the jacket, not knowing what the record sounded like, and looking at a couple of still pictures and imagining it."

Since then, Jon's infamous dinosaur quote has popped up everywhere and influential music industry writer Bob Lefsetz was quick to pounce:
Bon Jovi On Jobs.

That's Steve Jobs. Responsible for the iMac, the iPod, the iPhone and the iPad.

Not responsible for broadband, Napster, CD burning, hard-drive swapping and the rest of the elements that contributed to the demise of the old recording industry. As a matter of fact, Jobs was last. Macs came without CD burners. And Rio released the first MP3 player. All Steve Jobs did was make the experience easier and more elegant. And provided a way for the rights holders to get paid via the iTunes Store. Yes, before then, music online was FREE! There was nowhere to pay.

But you know all this.

It's only Jon Bongiovi who does not.

That's what happens when you surround yourself with yes-men, you lose contact with reality. You start to believe you're a grand pooh-bah with all the answers when really you're an uneducated nitwit with too much money and fans lost in the same old century you are.

Too bad Bon Jovi is not informed. If he were, he could make a difference. Instead, he's revealed himself to be in bed with Doug Morris and the rest of the music industry antiques who just don't get it.

I'm not saying an act has to know everything. But if it knows nothing, it shouldn't open its mouth.

Bon Jovi is old school. New school acts are Net-savvy. They have to be, that's where their fans are. You reach people online, you cement the relationship with them via Facebook, Twitter, e-mail... It's much more efficient than the old way. You know who your fans are. And they'll give you all their money if you treat them right.

But like the RIAA before him, Jon Bongiovi wants to place blame. Wants to find a scapegoat for the end of an era. As if overpriced CDs could go on forever.

Yes, in case you missed it, in yesterday's "Times", the English version, Jon Bongiovi said:

"Steve Jobs is personally responsible for killing the music business."

Funny how when Bongiovi finally decides to say something negative he gets it wrong.

In an era where electric cars are not only imminent, but available, when modern communications allow you to speak to friends across the world for free, Jon Bongiovi is lamenting the fact that we all don't buy vinyl records and get spoon-fed by radio.

The landscape might be murky now. But we're going to a better place. Where bland, written by committee confections like Bon Jovi's work will be the exception instead of the rule.

With one dumb statement Bon Jovi has become a laughingstock. This quote is all over the Web. My inbox is filling up.

What did they used to say in the sixties? You're either with us or against us?

Turns out Bongiovi is against us. He doesn't want more music for more people at a cheaper price, which the Internet affords, he just wants to maintain his private plane lifestyle.

He's what's wrong with America today. Ignorance.

You find it rampant amongst adults.

But not with kids. They read the news all day long online. They know which way the wind blows. They know Steve Jobs is a hero, not a zero.

Kids don't go to see Bon Jovi.

They're into something new. Or something old of value, true classic rock.

It's not Steve Jobs who killed the music business, it's the audience. An audience that had been ripped off for years, sold overpriced junk, who used new technologies to get what they wanted for free. If anything, as stated above, Mr. Jobs should be lauded for establishing a way for rights holders to get paid!

Some day in the future, Bongiovi and Jobs are going to die.

And who do you think will be remembered?

The guy with the feathered hairdo from New Jersey or the college dropout who revolutionized society by providing tools?

That's all Steve Jobs did, provide tools. Now people can use computers to create music, they don't need a rich uncle with a recording studio. Tunecore makes labels unnecessary.

If you don't think we're in a better place now than in the heyday of Bon Jovi then I sentence you to twenty four hours straight of "New Jersey". Hopefully, after that, you'll see the light.

The truth is slippery.

But the key is to keep trying to unearth it, to not be afraid of the future but to embrace it.

Bongiovi is living in a vacuum. And if he keeps coming out with heinous comments like this, his career will be living on a prayer.
To be honest, I'm a bit skeptical as to whether Jon even said this (or at least said it in quite the way it's been portrayed), given the age of his children and his apparent acceptance (if not complete understanding) of the changing music business landscape in the past. Hell, Richie Sambora uses iTunes, even though he's a vinyl boy. And the music business "died" way before iTunes, when it tried to kill Napster and sue music fans instead of recognising the fact that people wanted a cheap, convenient way to obtain music and giving them a place to do it legally.

But there's no doubting Jon's nostalgic for those "magical" days, and while I didn't grow up in the era of vinyl, I do still like buying CDs and studying the album sleeve, so I can relate to that. Having said that, I'm in my early 20s and practically grew up on the Internet. And if Bon Jovi wants to be genuinely relevant going forward, they'll need to embrace social media and the digital revolution much more than they currently do. Staying relevant involves making good music that connects with people and making sure they can access it easily, not churning out watered-down pop tunes and using outdated (or non-existent) marketing strategies.

Getting the crew to tweet a link every few days or post a video every time you hit a milestone for Facebook likes may be enough for existing fans, but does nothing to bring in new ones. That said, compared to where they were a couple of years ago, they're virtually acing the new media class.

On a somewhat related note, Bon Jovi the band is now 28 years old, having formed on March 14, 1983. They celebrated by hitting 10 million Facebook fans and inviting fans to join the celebration.

Thursday, October 28, 2010

2011 tour dates, X Factor, EMAs!

I'm a little restricted in my home Internet use until next week which has affected my ability to blog among other things, but of course the big news in Bon Jovi land is the release of 2011 tour dates:
Hey Bon Jovi Fans,

We're all excited to announce the 2011 tour to all of you! We'll be starting in the US and Canada, and then will make our way to Europe to wrap it up. We've got some surprises in store for you for this tour and can't wait to share them with you. We thank you all for your continued support and are excited to see you soon.

Jon, Richie, David, & Tico

North America:
  • Feb 9 - University Park, PA, USA - Bryce Jordan Center
  • Feb 11 - Pittsburgh, PA, USA - Consol Energy Center
  • Feb 14 - Toronto, ON, CA - Air Canada Centre
  • Feb 18 - Montreal, Quebec, CA - Bell Centre
  • Feb 21 - Raleigh, NC, USA - RBC Center
  • Feb 24 - New York, NY, USA - Madison Square Garden
  • Feb 25 - New York, NY, USA - Madison Square Garden
  • Feb 27 - Washington, DC, USA - Verizon Center
  • Mar 1 - Boston, MA, USA - TD Garden
  • Mar 2 - Philadelphia, PA, USA - Wells Fargo Center
  • Mar 4 - Uncasville, CT, USA - Mohegan Sun Arena
  • Mar 8 - Chicago, IL, USA - United Center
  • Mar 17 - San Antonio, TX, USA - AT&T Center
  • Mar 19 - Las Vegas, NV, USA - MGM Grand - Garden Arena
  • Mar 22 - Salt Lake City, UT, USA - Energy Solutions Arena
  • Mar 25 - Vancouver, British Columbia, CA - Rogers Arena

Europe:
  • Jun 8 - Zagreb, HR - Maximir Stadium
  • Jun 10 - Dresden, DE - Ostragehege
  • Jun 12 - Munich, DE - Olympic Stadium
  • Jun 15 - Oslo, NO - Ullevaal Stadium
  • Jun 17 - Helsinki, FI - Olympic Stadium
  • Jun 19 - Horsens, DK - Horsens Stadium
  • Jun 22 - Edinburgh, GB - Murrayfield Stadium
  • Jun 24 - Manchester, GB - Old Trafford Cricket Ground
  • Jun 25 - London, GB - Hard Rock Calling
  • Jun 29 - Dublin, IE - RDS Arena
  • Jul 8 - Istanbul, TR - Kazlicesme Festival Site
  • Jul 10 - Bucharest, RO - Piata Constitutiei
  • Jul 13 - Dusseldorf, DE - Esprit Arena
  • Jul 14 - Zurich, CH - Letzigrund Stadium
  • Jul 16 - Mannheim, DE - Maimarktgelande
  • Jul 17 - Udine, IT - Stadio Frilui
  • Jul 20 - Athens, GR - Olympic Stadium
  • Jul 22 - Vienna, AT - Ernst Happel Stadium
  • Jul 24 - Bruges, BE - Zeebrugge Beach
  • Jul 27 - Barcelona, ES - Estadio Olympico
  • Jul 29 - San Sebastian, ES - Estadio Anoeta
  • Jul 31 - Lisbon, PT - Parque De Belavista
For more details, check out this page.

Meanwhile Bob Lefsetz, who has had a bit to say about Bon Jovi in the past, has weighed in on the ticket price controversy again:
Last time around Bon Jovi didn’t sell out, and blew out and gave away tickets. What in hell makes the band think business will be better next year?

What are the indicators? When a product fades in the marketplace, the only way to juice sales is to reboot, refresh…

Instead, we get Bon Jovi doing "Wanted Dead Or Alive" and "Livin’ On A Prayer" one more time.

I guess they could always do albums. Then again, after "Slippery When Wet", then..?

If you’re a major act going out next year for a big ticket price, you’d better reevaluate. First you can drop the price. Dylan doesn’t charge much. If it’s about your greed, needing to make money to keep up your payments, you’re in trouble. It’s got to be about the music. And since you are a musician, you’ve got to do a different show.

What if Bon Jovi went out acoustic. Every number with wooden instruments as CSN&Y used to say. Maybe the venues would be smaller, but people would overpay for this, it’d be a special event.
Read the full article on the Lefsetz Letter.

In other news, Bon Jovi will be on The X Factor in the UK this Sunday, October 31 (Halloween). Rihanna and Jamiroquai will also perform. I'd love Bon Jovi to appear on the Australian X Factor but I don't think they'd be able to fit it into their schedule... not to mention, they'd probably do "What Do You Got?". I actually enjoy the song, but I'm not too keen on having it represent my favourite band to the masses, if you get what I mean.

And finally, I mentioned this a while ago but Bon Jovi are nominated for Best Live Act at the MTV Europe Music Awards, so vote vote vote!

Friday, September 10, 2010

Q104.3 show, Gulf Shore tickets, Sex Drugs and Bon Jovi reviews

Bon Jovi is playing an intimate concert for listeners of New York radio station Q104.3 on Thursday, September 16 at P.C. Richard & Son Theater. Click here for more details and to enter the contest to win tickets.

There's also ticket information in this news report about the Alabama Gulf Shores gig with Bon Jovi and Brad Paisley.

And finally, a couple of reviews of "Sex, Drugs and Bon Jovi" by Richard Bozzett. One is by Bob Lefsetz, who's had a few cracks at Bon Jovi before and certainly doesn't mince his words here:
what broke up the band after "New Jersey" was money. Because Jon thought it was all about him. And the four others were getting screwed.

You pay your dues, work ultra hard, but eventually you want yours. Do you get it?

Rich never got his 5%. If only he had a lawyer. But did he have an educated father, did he grow up in an environment where people said it was wise to pay a little now to make a lot later? I doubt it.

Then again, Jon’s wife-to-be, Dorothea, was afraid to order room service in the early days, for fear Jon would become incensed over the expenditure. I’ve got to give Jon credit. How many acts have started off broke and ended up broke because they didn’t know the value of a dollar.

This book is horribly written. It’s one man’s viewpoint.

But I know it’s true.
Read the full article here.

Kimberly Nicoletti also reviewed the book for Summit Daily:
“Sex, Drugs & Bon Jovi” is an interesting look into the rock lifestyle, but it's a bit of a misnomer. With a name like that, you'd expect the book to delve into all kinds of juicy secrets about Bon Jovi.

Instead, as told by tour manager Rich Bozzett, it's more of a defense against how Bon Jovi only used drugs — amphetamines and downers like Valium specifically — because he “had to,” being it was the one way to deliver the energetic concerts he wanted to, to his fans. While other band members did cocaine, Bozzett and Jovi were busy being musicians — and taking care of the details of that business (giving interviews, etc.) before, after and during shows.
Read the full review here.

Wednesday, November 25, 2009

Bon Jovi's fall from grace

Bon Jovi had the dubious honour of the third biggest drop from the #1 spot in US Billboard chart history this week, with The Circle falling to #19.

Anthony Kuzminski discusses some of the possible reasons (other than the padding of album sales in the first week by forcing people to purchase the digital album with pre-sale tickets) for this decline on The Screen Door.

Bob Lefsetz
also had some interesting things to say in an e-mail to his subscribers... here's a taste:
If older folk still buy music and younger people steal it, why did John Mayer sell almost twice as many albums the first week out as Bon Jovi?

Yes, according to hitsdailydouble.com, John Mayer sold 301,204 copies of his new album, "Battle Studies", this week. Whereas last week, Bon Jovi moved 165,871 copies of "The Circle".

Ready for some truly horrifying news? This week "The Circle" fell all the way to number 19, selling 50,153 copies, a whopping drop of 70%. Whew!

What's the difference between John and Jon?

One is living in 2009 and the other is living in the last century.

Jon Bon Jovi was positively old media, tying in with NBC.

John Mayer was new media, appearing in concert on Fuse and tweeting up a storm.

It doesn't matter the total reach, it matters who actually watches and what the perception is.

Fuse would be canceled, the entire channel, if its programming was on NBC. To say the ratings are anemic would be charitable. But Fuse airs music, unlike MTV. And most people watching the shows featuring Bon Jovi on NBC don't give a shit about the man's music. In other words, Jon's shoving it down the wrong people's throats.


EDIT: The full article is now up on Bob's website. Click here for the link.